JOURNAL/ Hospitality

Bates Smart Chairman, Roger Poole commented on the facade design: ‘We studied the layering of buildings of varying scale and character as they form the backdrop to Spring Street. We drew inspiration from the existing vertical expression of surrounding buildings. Simple elegant lines can create depth and interest. Verticality, layering and rich detailing are central to our facade concept.’

Fine screens and bay windows on the podium facade will echo the rhythm of the surrounding buildings. The podium will add amenity to the city, the four tiered flexible space becoming a venue for cultural, hospitality and entertainment venues.

The ground plane is open, and the hotel lobby will become an extension of the street. The development will unlock the laneways around the site, and a new laneway will be designed to pay homage to the eclectic Melbourne laneway heritage, whilst creating an inviting, safe and re-energised precinct. The development is ready to proceed upon planning approval.

In contrast to traditional sports stadia, the Club Stand presents itself in the round. In doing so it captures the spirit of the promenading which enhances enjoyment of a day at the races. The sweeping curvilinear forms promote this unique movement and energy.

The design acknowledges site context in which the theatre of horse racing is played out on all sides - mounting yard, track and members’ lawn to the south; parade ring and day stalls to the east; betting ring to the north; existing grandstands and winning post to the west.

The new Club Stand occupies virtually the same footprint as the Members’ Old Grandstand, but will provide increased capacity and more diverse venues and facilities in response to contemporary expectations.  For race-goers the new building will ensure an enhanced experience with improved hospitality offerings, internal circulation and amenities.  Operationally the building will provide staff and caterers with state-of-the-art facilities to ensure that safe and efficient services support the member experience.

The spaces inside the building are to be imbued with a sense of history without feeling beholden to it - featuring elements of the past, but interpreted with clean and sophisticated lines in a modern style and using warm materials.The story of Flemington Racecourse and the VRC is to be woven into the fabric of the building through material, pattern, pictorial and artefact reference and displays.

The Club Stand is designed to build on the existing heritage at Flemington, and in turn to be an iconic part of the heritage of Flemington’s future.

Read the press: The Age, Racing Network, Sky Racing

Visit Bates Smart to read more about this project.

Bates Smart Studio Director Brenton Smith comments:  “By taking away the traditional corner offices that the profession expects, the design team had to provide something equally valuable. Critical to the success of the open solution is the high ratio of immediately accessible focus rooms. Highly tailored and technology enabled work desks and meeting rooms, ensure ease of transition between work points, and enable staff to select the environment to best suit their task.”

The client facing areas and cafe combine the best of luxury hospitality design with seamless corporate efficiency, both staff and clients enjoy taking advantage of this space to interact and connect.

The Corrs Brisbane project has captured the personality of the local team and provided a sense of regional identity for the world-class Australian headquartered firm.

Bates Smart director, Philip Vivian explains the design intent: 'The building amalgamates four sites with dual street frontage. We designed the podium to incorporate the identity of Bondi’s art deco buildings and colourful streetscapes and to reflect the rhythm and height of the surrounding masonry buildings.

'The residential levels are contained above in a curvaceous form. We carefully refined this mass and set it back from the street to reduce the visual impact on the surrounding area.'

Apartment interiors epitomise the development's name and design philosophy with a colour palette derived from water, sunlight and sand.

The retail promenade forms a through site link and is attracting the best of Sydney’s fresh food providores, delicatessans and restaurants.

Hotelsworld, sponsored by Bates Smart, attracts an unprecedented level of industry support for a regional event.

Learn more about Hotelsworld

Image courtesy of Karen Walker Eyewear

Now with Bates Smart an exciting mixed use development is proposed for the site to the north of the degraded Forum Theatre, one of Melbourne’s great architectural extravaganzas.

The development will include a 220 room 4-star hotel with sky lobby, commercial office, retail and penthouse apartments.

An 8 storey podium maintains the streetscape context while the tower is articulated into two elements which step in response to the gradient of the street.

The facade concept for the new building interprets the ornate and decorative facades of the Forum Theatre, while the rectilinear massing forms a backdrop to the exuberant character and language of the heritage building.

The faceted curtain-wall facade system under development utilises modern glazing technologies to give the building subtle modelling and articulation.

Town planning approval has been applied for.

Bates Smart have commenced work on the new Club Stand for members to be completed in time for Spring Carnival 2017.

At 1170sqm the Winners, Owners and Trainers bar is modest in scale, though big in personality. An 'invitation only' bar and lounge, this is VRC's exclusive offer of hospitality to owners and trainers of horses competing on race days.

Bates Smart created a distinctive design with bespoke elements including custom designed wallpaper using reproductions of archived press cuttings from the 1930s. Finishes and detailing are earthy to reflect equestrian influences.

A fantastic result for these high-end hospitality spaces that are characterised by meticulous details and bespoke fittings.

Read more about this project in Journal February 2014

A lush green atrium akin to an ampitheatre will unify the mixed-use space. The design is casual and unpretentious, it welcomes residents home as well as visitors to the hotel and retail areas.

Patterned screen awnings between sandstone and plant clad columns reference the art deco style of the building and form pockets of intimacy around the perimeter of the atrium. These screens create a 'secret garden' feel within the space, patterned with an interesting play of shadows and dappled light. The amphitheatre becomes a place to “see and be seen.”

The chosen palette of materials is both tonal and textured; sandstone, concrete hexagonal tiles, and textured paint. The atrium is intersected by a walkway of recycled timber connecting the Porte Cochere to the retail zones.

Bates Smart will also design the residential lift lobbies and connecting corridors. The corridors have a strong local reference – a “boardwalk” style carpet and wall graphics that play on shadow and light.

Can you describe your creative process?
With a serious piece like this you've got to have a certain amount of introspection. I think there's a sort of honesty and authenticity that you're tapping into and projects such as this require you to invent something from the heart, from your gut, so in a sense it starts with immersion and dialogue. Through conversations with Amanda Elliott, experiencing Flemington, and allowing that to mix and meld together, thoughts start to move around and then when you start drawing and working out the pragmatic aspects of how view lines and relationships between buildings work, it snaps together into a kind of philosophy. That's just part of the magic of designing and part of the magic of creating stuff, because half of it is rational and half of it is irrational and very guttural and instinctive and that is very much the case with this project.

The oval shape of the building is not typical in horse racing stadia, can you explain the thinking behind it?
The oval form of the building, both in plan and shape, resolved a lot of the key problems for the site’s location. It is on one end of the array of stadiums, putting it at some distance away from the finishing line, but it is surrounded by activity, including the Mounting Yard, the Parade Ring and the Members Lawn, the ovaloid form helped to capture those ceremonial moments.

Transparency is also fundamental, wherever the public are you want to be able to open up the views out of the building, to grasp hold of those key moments: the starting gate, the complete view of the track, the finishing line as well as the wonderful overall context. So, clarity, transparency and simplicity were the key factors in the design of the building.

Is it fair to say you set out to design an ‘iconic’ building?
We wanted to design something that was going to be strong, memorable and symbolic - I don't really like to use the term iconic - because iconic is something that time and memory projects onto the building. Our initial thought processes determined a very distinctive and clear rationale that resolved functional problems but also created a very beautiful object. The syncopation of those two worlds gives the shape purpose. It is that clarity and strength that I think will give the building a lot of power into the future and will give it an endurance for the next fifty to one hundred years.

Bates Smart and the Victoria Racing Club both have long histories, did you see some synergy in that lineage?
There are so many crossovers in the long history of our practice and the history of Flemington, it generated a rich dialogue and rapport that was much examined.

We undertook a study trip to the Champagne region of France with the team from Pernod Ricard. The three brands, each with a unique historic lineage, collaborated to create the world's first champagne bar for GH Mumm; that was a highly memorable experience for us. I think history in today's world is often overlooked, in the context of a city, those profound, poetic moments that a city can give you are becoming increasingly hard to come by and even harder to generate.

Creating a link between the significant sandstone heritage buildings of the site and the marine harbour activity has been key to the planning and design process.

An expansive interior courtyard terrace  will create hospitable spaces to arrive, conduct business and to relax and enjoy this unique location. Sandstone blade walls and architectural voids will create a strong visual connection between the traditional hotel spaces on the ground floor and the convention facility on the floor above.

The restaurant and bar spaces will be relaxed and welcoming. The restaurant will offer a range of dining experiences and is orientated to harbor views, evoking the mood of a breezy, garden terrace. By contrast, the bar will create a warm and intimate mood with a soft boundary to its adjacent lobby lounge.

This collection highlights the confluence between art and science and focuses on artists whose practice investigates the meaning and matter of existence and the universe.

The collection comprises a new site-specific, kinetic installation by Susan Jacobs that unpacks the metaphors and poetry of the sub atomic, along with a multi-screen work by Steve Carr that depicts a bullet hitting Newton’s apple in incredibly slow motion across seven screens. Illuminating the gallery spaces is a kinetic light work by Ross Manning that oscillates a spectrum of colour across the building's innovative interior.

The collection also features a video work by leading Australian artist Daniel Von Sturmer – who represented Australia at the 2007 Venice Bienniale and works by Robin Fox and Chris Henschke.

“With this collection, our aim is to communicate through artworks the same ideas that obsess many scientists, reminding researchers, staff and other visitors to The Synchrotron that it is only through being open, experimental and lateral that we might begin to contemplate the universe and its ever expanding nature.” Curator Emily Cormack

The NCSS Art Collection Permanent Exhibition +61 3 8540 4100

Visit Bates Smart to learn more about NCSS here

Contact Curator Emily Cormack here

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When unveiled in May 2016, the hotel will be Australia’s largest, boasting 913 keys and 4,810 sqm of convention space. Bates Smart has been commissioned to design the interiors for the public and convention spaces where guests will enjoy unparalleled harbour views.

Associate Director Jan Eastwood commented: “Creating a link between the significant sandstone heritage buildings of the site and the marine harbour activity has been key to the planning and design process.”

Designed as an expansive courtyard terrace, the Bates Smart interiors will be hospitable spaces to arrive, conduct business and relax at this unique location. Sandstone blade walls and architectural voids will create a strong visual connection between the hotel lobby on the ground floor and the convention facility above.

The lobby bar will be intimate in scale and mood and create a soft boundary to the adjacent lobby lounge.

The design extends concepts developed in London and Melbourne and reflects Heston Blumenthal’s sense of theatre. Additional British context will be woven into the Dubai space to suit the local and traveller market.

Set within the new Royal Atlantis development, the new restaurant will incorporate a private dining room and a wine cellar as well as an outdoor terrace, the project is expected to open in 2019.

Read the press.